The point of this paper is to foster an awareness of the varied uses to which scholars are putting the term ‘ecocriticism’ in varied perspectives today. Thoreau’s Walden is such indisputable literary monument on environmental literature to explore, upkeep and strengthen interest in establishing pragmatic relationship between the human and natural worlds. Thoreau lived simply without “modern improvements” which he called “improved means to unimproved ends.” This displays how one places oneself in the nature world, understands nature, and the environmental aspects to cast-off materialism. Thoreau rejects what is profane and superficial but pleads nature as the storehouse of sincerity and impartiality. He proves that society creates loneliness and fear, which can be dispelled by content with Nature. A man is never alone if he is aware of his non-human relationships. The paper perhaps is a seminal attempt to make some evolution toward fostering and legitimizing the sweats of ecocritics in ecocriticism (across) milieu. It sufficiently accounts for the personal connection and sense of responsibility towards self, society, literary studies and nature. Thoreau’s Walden elevates the concept of ecocriticism further to have interdisciplinary impact beyond prejudice to create a ‘universal discipline’ to discuss, innovate and create healthy literature-environment anthology to live in for progenies. This convinces intellectuals to pursue an interest in ecology while enduring literary professionals. Thoreau’s belief in nature sets new tenets that address the major ecological concerns to see it ‘greening’ to prevent ‘The Endangered Earth- a virulent veracity’ tomorrow.
| Published in | American Journal of Art and Design (Volume 2, Issue 1) |
| DOI | 10.11648/j.ajad.20170201.14 |
| Page(s) | 24-29 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2024. Published by Science Publishing Group |
Ecocriticsm, Nature, Environment, Society, Walden
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APA Style
Vipin K. Sharma. (2017). Thoreau’s Ecocriticism: An Improved Means to Unimproved Ends. American Journal of Art and Design, 2(1), 24-29. https://doi.org/10.11648/j.ajad.20170201.14
ACS Style
Vipin K. Sharma. Thoreau’s Ecocriticism: An Improved Means to Unimproved Ends. Am. J. Art Des. 2017, 2(1), 24-29. doi: 10.11648/j.ajad.20170201.14
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Download@article{10.11648/j.ajad.20170201.14,
author = {Vipin K. Sharma},
title = {Thoreau’s Ecocriticism: An Improved Means to Unimproved Ends},
journal = {American Journal of Art and Design},
volume = {2},
number = {1},
pages = {24-29},
doi = {10.11648/j.ajad.20170201.14},
url = {https://doi.org/10.11648/j.ajad.20170201.14},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20170201.14},
abstract = {The point of this paper is to foster an awareness of the varied uses to which scholars are putting the term ‘ecocriticism’ in varied perspectives today. Thoreau’s Walden is such indisputable literary monument on environmental literature to explore, upkeep and strengthen interest in establishing pragmatic relationship between the human and natural worlds. Thoreau lived simply without “modern improvements” which he called “improved means to unimproved ends.” This displays how one places oneself in the nature world, understands nature, and the environmental aspects to cast-off materialism. Thoreau rejects what is profane and superficial but pleads nature as the storehouse of sincerity and impartiality. He proves that society creates loneliness and fear, which can be dispelled by content with Nature. A man is never alone if he is aware of his non-human relationships. The paper perhaps is a seminal attempt to make some evolution toward fostering and legitimizing the sweats of ecocritics in ecocriticism (across) milieu. It sufficiently accounts for the personal connection and sense of responsibility towards self, society, literary studies and nature. Thoreau’s Walden elevates the concept of ecocriticism further to have interdisciplinary impact beyond prejudice to create a ‘universal discipline’ to discuss, innovate and create healthy literature-environment anthology to live in for progenies. This convinces intellectuals to pursue an interest in ecology while enduring literary professionals. Thoreau’s belief in nature sets new tenets that address the major ecological concerns to see it ‘greening’ to prevent ‘The Endangered Earth- a virulent veracity’ tomorrow.},
year = {2017}
}
TY - JOUR T1 - Thoreau’s Ecocriticism: An Improved Means to Unimproved Ends AU - Vipin K. Sharma Y1 - 2017/03/06 PY - 2017 N1 - https://doi.org/10.11648/j.ajad.20170201.14 DO - 10.11648/j.ajad.20170201.14 T2 - American Journal of Art and Design JF - American Journal of Art and Design JO - American Journal of Art and Design SP - 24 EP - 29 PB - Science Publishing Group SN - 2578-7802 UR - https://doi.org/10.11648/j.ajad.20170201.14 AB - The point of this paper is to foster an awareness of the varied uses to which scholars are putting the term ‘ecocriticism’ in varied perspectives today. Thoreau’s Walden is such indisputable literary monument on environmental literature to explore, upkeep and strengthen interest in establishing pragmatic relationship between the human and natural worlds. Thoreau lived simply without “modern improvements” which he called “improved means to unimproved ends.” This displays how one places oneself in the nature world, understands nature, and the environmental aspects to cast-off materialism. Thoreau rejects what is profane and superficial but pleads nature as the storehouse of sincerity and impartiality. He proves that society creates loneliness and fear, which can be dispelled by content with Nature. A man is never alone if he is aware of his non-human relationships. The paper perhaps is a seminal attempt to make some evolution toward fostering and legitimizing the sweats of ecocritics in ecocriticism (across) milieu. It sufficiently accounts for the personal connection and sense of responsibility towards self, society, literary studies and nature. Thoreau’s Walden elevates the concept of ecocriticism further to have interdisciplinary impact beyond prejudice to create a ‘universal discipline’ to discuss, innovate and create healthy literature-environment anthology to live in for progenies. This convinces intellectuals to pursue an interest in ecology while enduring literary professionals. Thoreau’s belief in nature sets new tenets that address the major ecological concerns to see it ‘greening’ to prevent ‘The Endangered Earth- a virulent veracity’ tomorrow. VL - 2 IS - 1 ER -
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