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Study on Self-growth of Female Characters in Disney Animation from the Perspective of Feminism

Received: 18 January 2022     Accepted: 4 February 2022     Published: 19 February 2022
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Abstract

Disney animated films can be divided into classics, live action with animation, 3D computer animation, claymation animation, movietoons animation and video premiere. No matter what type of animation, Disney animation is famous the all over the world for its imagination, exquisite painting and delicate stories. Disney animated films constantly reflect the changes and development of the times and the development of feminism. This study analyzes the self-growth of female characters in Disney animation from three aspects: patriarchal society, the influence of feminism and modern society, and discusses the changes in the outlook on marriage and life. In a patriarchal society, feminist consciousness was suppressed, and female growth was greatly constrained. After the awakening and development of feminism, women gradually awaken their consciousness, and feminist characters show a new path to growth through their own efforts. In modern society, feminism has further developed, and female characters in Disney animation have lived a more colorful life on the road to self-growth under the influence of feminism. At the same time, this study analyzes the changes for in female characters in Disney animation from the reason of feminism, political economy and consumerism.

Published in English Language, Literature & Culture (Volume 7, Issue 1)
DOI 10.11648/j.ellc.20220701.13
Page(s) 12-18
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Feminism, Disney Animation, Self-growth, Character

References
[1] Amy, M. D. The “dark prince” and dream women: Walt Disney and mid-twentieth century American feminism [J]. Historical Journal of Film, Radio and Television, 2005, 28: 213-230.
[2] Danielle, M. Brave: A Feminist Perspective on the Disney Princess Movie [J]. Social Sciences, 2018, 3 (1): 8-10.
[3] Dosekun, S. For Western Girls Only? [J]. JournalFeminist Media Studies, 2015, 15: 960-975.
[4] Jing Yin, Popular Culture and Public Imaginary: Disney Vs. Chinese Stories of Mulan [J]. Journal of the European Institute for Communication and Culture, 2011, 18: 53-74.
[5] Juliana, G. Animating Gender Roles: How Disney is Redefining the Modern Princess [J]. James Madison Undergraduate Research Journal, 2014, 43: 22-25.
[6] Madeline, S. & Lauren, D. Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess [J]. Social Sciences, MDPI, 2017, 6 (2): 1-10.
[7] Michael, M. Postfeminist Masculinity: The New Disney Norm? [J]. Social Sciences, MDPI, 2018, 7 (11): 1-10.
[8] Streiff, M. & L. Dundes. Frozen in Time: How Disney Gender-Stereotypes Its Most Powerful Princess [J]. Soc. Sci, 2017, 6 (2), 38.
[9] Stover, C. Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess. [J]. Journal of the European Institute for Communication and Culture, 2013, 15: 11-14.
[10] Wilde, S. Repackaging the Disney Princess: A Post-feminist Reading of Modern Day Fairy Tales [J]. Journal of Promotional Communications, 2014, 2 (1): 132-153.
[11] Jing H. Feminism, female status and female images -- an analysis of the evolution of the princess image in the classic Disney cartoons [J]. New Film, 2014, 6: 96-99.
[12] Bo Yu. On the awakening of female consciousness in Disney Princess images [J]. Cinematic Literature, 2008, 23, 41-42.
[13] Li J, Luo J, Li X, et al. An analysis of the imagine of female self-pursuit in Disney princess series [J]. Journal of Hunan Institute of Technology, 2016, 16 (04), 193-194.
[14] Danya L, Chun Z. An analysis of Mulan adapted by Disney from a gender perspective [J]. Nan Kai Journal (Social Science version), 2019, 6: 156-163.
[15] Zhujun W. On the changes of female character setting in Disney animation in recent years [J]. Popular literature and art, 2014, 12: 193-194.
Cite This Article
  • APA Style

    Xu Jiang. (2022). Study on Self-growth of Female Characters in Disney Animation from the Perspective of Feminism. English Language, Literature & Culture, 7(1), 12-18. https://doi.org/10.11648/j.ellc.20220701.13

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    ACS Style

    Xu Jiang. Study on Self-growth of Female Characters in Disney Animation from the Perspective of Feminism. Engl. Lang. Lit. Cult. 2022, 7(1), 12-18. doi: 10.11648/j.ellc.20220701.13

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    AMA Style

    Xu Jiang. Study on Self-growth of Female Characters in Disney Animation from the Perspective of Feminism. Engl Lang Lit Cult. 2022;7(1):12-18. doi: 10.11648/j.ellc.20220701.13

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  • @article{10.11648/j.ellc.20220701.13,
      author = {Xu Jiang},
      title = {Study on Self-growth of Female Characters in Disney Animation from the Perspective of Feminism},
      journal = {English Language, Literature & Culture},
      volume = {7},
      number = {1},
      pages = {12-18},
      doi = {10.11648/j.ellc.20220701.13},
      url = {https://doi.org/10.11648/j.ellc.20220701.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ellc.20220701.13},
      abstract = {Disney animated films can be divided into classics, live action with animation, 3D computer animation, claymation animation, movietoons animation and video premiere. No matter what type of animation, Disney animation is famous the all over the world for its imagination, exquisite painting and delicate stories. Disney animated films constantly reflect the changes and development of the times and the development of feminism. This study analyzes the self-growth of female characters in Disney animation from three aspects: patriarchal society, the influence of feminism and modern society, and discusses the changes in the outlook on marriage and life. In a patriarchal society, feminist consciousness was suppressed, and female growth was greatly constrained. After the awakening and development of feminism, women gradually awaken their consciousness, and feminist characters show a new path to growth through their own efforts. In modern society, feminism has further developed, and female characters in Disney animation have lived a more colorful life on the road to self-growth under the influence of feminism. At the same time, this study analyzes the changes for in female characters in Disney animation from the reason of feminism, political economy and consumerism.},
     year = {2022}
    }
    

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    T1  - Study on Self-growth of Female Characters in Disney Animation from the Perspective of Feminism
    AU  - Xu Jiang
    Y1  - 2022/02/19
    PY  - 2022
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    UR  - https://doi.org/10.11648/j.ellc.20220701.13
    AB  - Disney animated films can be divided into classics, live action with animation, 3D computer animation, claymation animation, movietoons animation and video premiere. No matter what type of animation, Disney animation is famous the all over the world for its imagination, exquisite painting and delicate stories. Disney animated films constantly reflect the changes and development of the times and the development of feminism. This study analyzes the self-growth of female characters in Disney animation from three aspects: patriarchal society, the influence of feminism and modern society, and discusses the changes in the outlook on marriage and life. In a patriarchal society, feminist consciousness was suppressed, and female growth was greatly constrained. After the awakening and development of feminism, women gradually awaken their consciousness, and feminist characters show a new path to growth through their own efforts. In modern society, feminism has further developed, and female characters in Disney animation have lived a more colorful life on the road to self-growth under the influence of feminism. At the same time, this study analyzes the changes for in female characters in Disney animation from the reason of feminism, political economy and consumerism.
    VL  - 7
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Author Information
  • School of Data Science and Computer, Shandong Women’s University, Jinan, China

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