Metamodern Subject: Towards Metaxy and Fragmentation

Ali Oublal; Houban Brahim

doi:doi:10.11648/j.ijla.20241206.13

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Metamodern Subject: Towards Metaxy and Fragmentation

Ali Oublal^*

, Houban Brahim

Published in International Journal of Literature and Arts (Volume 12, Issue 6)

Received: 7 July 2024 Accepted: 2 September 2024 Published: 22 November 2024

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Abstract

The very last quarter of the century is characterised by a large-scale and deep-seated changes which distinguish it from the postmodern epoch. This is in part due to globalisation that has remolded the economic, social and cultural space. Those unprecedented alterations manifest themselves in all areas of human life as the key features of the contemporary cultural landscape. One of its mains, which must not be treated with eyes wide shut, is the reemerged subject that should be taken neither as the old modern nor the postmodern one as it encompasses no transcendental explanations. Concepts like identity, selfhood and subjectivity might continuously be dismantled and deconstructed.The fact that the theme of identity is engaged as an episteme to delineate metamodernist novelists’ conceptions can seem as if snappishly chosen, yet this is not the case. The question comes as follows: why exactly the theme of identity is singled out among others, particularly in metamodernist literature? The thematic should be considered within the historical context of metamodernism, which is not by chance coincided with the twenty-first century transformations. Identity has been one of the debatable issues among scholars from different disciplines since antiquity; it has never been cartelised by a certain discipline or field. However, more than ever before, new-fangled technologies at the turn of the twenty century have made identity a pinnacle compared to other themes. The first-time changes, which have resulted from the rise of technologies, and new forms of communication, have overlapped with the new sensitivity of 'metamodernism. As long as the centrality of language in literary works and linguistics as the study of language has the authority to study literature, the paper adopted linguistic analysis, notably stylistics. By virtue of the latter, it is argued that literary writers, namely metamodernist novelists have contributed to such an exchange over identity. Through a microscopic analysis of forms, functions, and meanings of literary language in a systematic way, it is asserted that the influx, hence, of values, morals, behaviours, and the multiple, fragmented and oscillating self is unequivocally exhibited in the metamodernist novels.

Published in	International Journal of Literature and Arts (Volume 12, Issue 6)
DOI	10.11648/j.ijla.20241206.13
Page(s)	163-172
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Subject, Identity, Metamodernism, Novelists, Stylistics, Multiple-Self, Mono-Self-Influx

References

[1]	Zavarzadeh, Mas’ud. “The Apocalyptic Fact and the Eclipse of Fiction in Recent American Prose Narratives.” Journal of American Studies, vol. 9, no. 1, 1975, pp. 69–83. JSTOR, http://www.jstor.org/stable/27553153 Accessed 13 Aug. 2024.
[2]	Baciu, Ciprian, et al. “Metamodernism – a conceptual foundation.” Procedia - Social and Behavioral Sciences, vol. 209, Dec. 2015, pp. 33–38, https://doi.org/10.1016/j.sbspro.2015.11.226
[3]	Vermeulen, Timotheus, and Robin Van den Akker. “Notes on metamodernism.” Journal of AESTHETICS & CULTURE, vol. 2, no. 0, 15 Nov. 2010, https://doi.org/10.3402/jac.v1i0.5677
[4]	James, David, and Urmila Seshagiri. “Metamodernism: Narratives of continuity and revolution.” PMLA/Publications of the Modern Language Association of America, vol. 129, no. 1, Jan. 2014, pp. 87–100, https://doi.org/10.1632/pmla.2014.129.1.87
[5]	The 2000s : A Decade of Contemporary British Fiction, 2015, https://doi.org/10.5040/9781474217217
[6]	Erikson, Erik H. Psychological Issues: Identity and the Life Cycle. International Universities Press, 1959.
[7]	Erikson, Erik H. The Life Cycle Completed. New York:. W. W.. Norton & Company, 1982.
[8]	Berzonsky, M. D. Identity processing style and self-definition: Effects of a priming manipulation. Polish Psychological Bulletin, 36, 137–143.2005.
[9]	Poster, Mark. The Second Media Age. Cambridge, MA: Cambridge UP, 1995
[10]	Kellner, Douglas. Media Culture: Cultural Studies, Identity and Politics Between the Modern and Postmodern. New York: Routledge, 1995.
[11]	“‘the suburbs that did it’: Hanif Kureishi’s the buddha of suburbia and metropolitan multicultural fiction.” Hanif Kureishi, https://doi.org/10.5040/9781472593986.0012
[12]	Crook, S. Et Al. "Identity Formation in the Postmodern World." Sociology Essays. N. p., 18 Apr. 2008. Web. 9 June 2014.
[13]	Johnson, Daisy. Sisters. Vintage, 2020.
[14]	Viet Thanh, Nguyen. The Sympathizer. Grove Press New York, 2015.
[15]	Van Dyke, R. M., & Alcock, S. E. (2003). Archaeologies of Memory: An Introduction. Archaeologies of Memory, 1–14. https://doi.org/10.1002/9780470774304.ch1
[16]	Thomas, Julian. Time, Culture and Identity: An Interpretive Archaeology. Routledge & Kegan Paul, 1996.

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Oublal, A., Brahim, H. (2024). Metamodern Subject: Towards Metaxy and Fragmentation. International Journal of Literature and Arts, 12(6), 163-172. https://doi.org/10.11648/j.ijla.20241206.13

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Oublal, A.; Brahim, H. Metamodern Subject: Towards Metaxy and Fragmentation. Int. J. Lit. Arts 2024, 12(6), 163-172. doi: 10.11648/j.ijla.20241206.13

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Oublal A, Brahim H. Metamodern Subject: Towards Metaxy and Fragmentation. Int J Lit Arts. 2024;12(6):163-172. doi: 10.11648/j.ijla.20241206.13

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@article{10.11648/j.ijla.20241206.13,
  author = {Ali Oublal and Houban Brahim},
  title = {Metamodern Subject: Towards Metaxy and Fragmentation
},
  journal = {International Journal of Literature and Arts},
  volume = {12},
  number = {6},
  pages = {163-172},
  doi = {10.11648/j.ijla.20241206.13},
  url = {https://doi.org/10.11648/j.ijla.20241206.13},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20241206.13},
  abstract = {The very last quarter of the century is characterised by a large-scale and deep-seated changes which distinguish it from the postmodern epoch. This is in part due to globalisation that has remolded the economic, social and cultural space. Those unprecedented alterations manifest themselves in all areas of human life as the key features of the contemporary cultural landscape. One of its mains, which must not be treated with eyes wide shut, is the reemerged subject that should be taken neither as the old modern nor the postmodern one as it encompasses no transcendental explanations. Concepts like identity, selfhood and subjectivity might continuously be dismantled and deconstructed.The fact that the theme of identity is engaged as an episteme to delineate metamodernist novelists’ conceptions can seem as if snappishly chosen, yet this is not the case. The question comes as follows: why exactly the theme of identity is singled out among others, particularly in metamodernist literature? The thematic should be considered within the historical context of metamodernism, which is not by chance coincided with the twenty-first century transformations. Identity has been one of the debatable issues among scholars from different disciplines since antiquity; it has never been cartelised by a certain discipline or field. However, more than ever before, new-fangled technologies at the turn of the twenty century have made identity a pinnacle compared to other themes. The first-time changes, which have resulted from the rise of technologies, and new forms of communication, have overlapped with the new sensitivity of 'metamodernism. As long as the centrality of language in literary works and linguistics as the study of language has the authority to study literature, the paper adopted linguistic analysis, notably stylistics. By virtue of the latter, it is argued that literary writers, namely metamodernist novelists have contributed to such an exchange over identity. Through a microscopic analysis of forms, functions, and meanings of literary language in a systematic way, it is asserted that the influx, hence, of values, morals, behaviours, and the multiple, fragmented and oscillating self is unequivocally exhibited in the metamodernist novels.
},
 year = {2024}
}

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TY  - JOUR
T1  - Metamodern Subject: Towards Metaxy and Fragmentation

AU  - Ali Oublal
AU  - Houban Brahim
Y1  - 2024/11/22
PY  - 2024
N1  - https://doi.org/10.11648/j.ijla.20241206.13
DO  - 10.11648/j.ijla.20241206.13
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 163
EP  - 172
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20241206.13
AB  - The very last quarter of the century is characterised by a large-scale and deep-seated changes which distinguish it from the postmodern epoch. This is in part due to globalisation that has remolded the economic, social and cultural space. Those unprecedented alterations manifest themselves in all areas of human life as the key features of the contemporary cultural landscape. One of its mains, which must not be treated with eyes wide shut, is the reemerged subject that should be taken neither as the old modern nor the postmodern one as it encompasses no transcendental explanations. Concepts like identity, selfhood and subjectivity might continuously be dismantled and deconstructed.The fact that the theme of identity is engaged as an episteme to delineate metamodernist novelists’ conceptions can seem as if snappishly chosen, yet this is not the case. The question comes as follows: why exactly the theme of identity is singled out among others, particularly in metamodernist literature? The thematic should be considered within the historical context of metamodernism, which is not by chance coincided with the twenty-first century transformations. Identity has been one of the debatable issues among scholars from different disciplines since antiquity; it has never been cartelised by a certain discipline or field. However, more than ever before, new-fangled technologies at the turn of the twenty century have made identity a pinnacle compared to other themes. The first-time changes, which have resulted from the rise of technologies, and new forms of communication, have overlapped with the new sensitivity of 'metamodernism. As long as the centrality of language in literary works and linguistics as the study of language has the authority to study literature, the paper adopted linguistic analysis, notably stylistics. By virtue of the latter, it is argued that literary writers, namely metamodernist novelists have contributed to such an exchange over identity. Through a microscopic analysis of forms, functions, and meanings of literary language in a systematic way, it is asserted that the influx, hence, of values, morals, behaviours, and the multiple, fragmented and oscillating self is unequivocally exhibited in the metamodernist novels.

VL  - 12
IS  - 6
ER  -

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Author Information

Ali Oublal

Faculty of Letters and Humanities, University Ibn Zohr, Agadir, Morocco

Contact Email

http://orcid.org/0000-0002-7805-8283
Houban Brahim

Faculty of Letters and Humanities, University Ibn Zohr, Agadir, Morocco

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APA Style

Oublal, A., Brahim, H. (2024). Metamodern Subject: Towards Metaxy and Fragmentation. International Journal of Literature and Arts, 12(6), 163-172. https://doi.org/10.11648/j.ijla.20241206.13

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ACS Style

Oublal, A.; Brahim, H. Metamodern Subject: Towards Metaxy and Fragmentation. Int. J. Lit. Arts 2024, 12(6), 163-172. doi: 10.11648/j.ijla.20241206.13

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AMA Style

Oublal A, Brahim H. Metamodern Subject: Towards Metaxy and Fragmentation. Int J Lit Arts. 2024;12(6):163-172. doi: 10.11648/j.ijla.20241206.13

Copy | Download

@article{10.11648/j.ijla.20241206.13,
  author = {Ali Oublal and Houban Brahim},
  title = {Metamodern Subject: Towards Metaxy and Fragmentation
},
  journal = {International Journal of Literature and Arts},
  volume = {12},
  number = {6},
  pages = {163-172},
  doi = {10.11648/j.ijla.20241206.13},
  url = {https://doi.org/10.11648/j.ijla.20241206.13},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20241206.13},
  abstract = {The very last quarter of the century is characterised by a large-scale and deep-seated changes which distinguish it from the postmodern epoch. This is in part due to globalisation that has remolded the economic, social and cultural space. Those unprecedented alterations manifest themselves in all areas of human life as the key features of the contemporary cultural landscape. One of its mains, which must not be treated with eyes wide shut, is the reemerged subject that should be taken neither as the old modern nor the postmodern one as it encompasses no transcendental explanations. Concepts like identity, selfhood and subjectivity might continuously be dismantled and deconstructed.The fact that the theme of identity is engaged as an episteme to delineate metamodernist novelists’ conceptions can seem as if snappishly chosen, yet this is not the case. The question comes as follows: why exactly the theme of identity is singled out among others, particularly in metamodernist literature? The thematic should be considered within the historical context of metamodernism, which is not by chance coincided with the twenty-first century transformations. Identity has been one of the debatable issues among scholars from different disciplines since antiquity; it has never been cartelised by a certain discipline or field. However, more than ever before, new-fangled technologies at the turn of the twenty century have made identity a pinnacle compared to other themes. The first-time changes, which have resulted from the rise of technologies, and new forms of communication, have overlapped with the new sensitivity of 'metamodernism. As long as the centrality of language in literary works and linguistics as the study of language has the authority to study literature, the paper adopted linguistic analysis, notably stylistics. By virtue of the latter, it is argued that literary writers, namely metamodernist novelists have contributed to such an exchange over identity. Through a microscopic analysis of forms, functions, and meanings of literary language in a systematic way, it is asserted that the influx, hence, of values, morals, behaviours, and the multiple, fragmented and oscillating self is unequivocally exhibited in the metamodernist novels.
},
 year = {2024}
}

Copy | Download

TY  - JOUR
T1  - Metamodern Subject: Towards Metaxy and Fragmentation

AU  - Ali Oublal
AU  - Houban Brahim
Y1  - 2024/11/22
PY  - 2024
N1  - https://doi.org/10.11648/j.ijla.20241206.13
DO  - 10.11648/j.ijla.20241206.13
T2  - International Journal of Literature and Arts
JF  - International Journal of Literature and Arts
JO  - International Journal of Literature and Arts
SP  - 163
EP  - 172
PB  - Science Publishing Group
SN  - 2331-057X
UR  - https://doi.org/10.11648/j.ijla.20241206.13
AB  - The very last quarter of the century is characterised by a large-scale and deep-seated changes which distinguish it from the postmodern epoch. This is in part due to globalisation that has remolded the economic, social and cultural space. Those unprecedented alterations manifest themselves in all areas of human life as the key features of the contemporary cultural landscape. One of its mains, which must not be treated with eyes wide shut, is the reemerged subject that should be taken neither as the old modern nor the postmodern one as it encompasses no transcendental explanations. Concepts like identity, selfhood and subjectivity might continuously be dismantled and deconstructed.The fact that the theme of identity is engaged as an episteme to delineate metamodernist novelists’ conceptions can seem as if snappishly chosen, yet this is not the case. The question comes as follows: why exactly the theme of identity is singled out among others, particularly in metamodernist literature? The thematic should be considered within the historical context of metamodernism, which is not by chance coincided with the twenty-first century transformations. Identity has been one of the debatable issues among scholars from different disciplines since antiquity; it has never been cartelised by a certain discipline or field. However, more than ever before, new-fangled technologies at the turn of the twenty century have made identity a pinnacle compared to other themes. The first-time changes, which have resulted from the rise of technologies, and new forms of communication, have overlapped with the new sensitivity of 'metamodernism. As long as the centrality of language in literary works and linguistics as the study of language has the authority to study literature, the paper adopted linguistic analysis, notably stylistics. By virtue of the latter, it is argued that literary writers, namely metamodernist novelists have contributed to such an exchange over identity. Through a microscopic analysis of forms, functions, and meanings of literary language in a systematic way, it is asserted that the influx, hence, of values, morals, behaviours, and the multiple, fragmented and oscillating self is unequivocally exhibited in the metamodernist novels.

VL  - 12
IS  - 6
ER  -

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