Research Article | | Peer-Reviewed

Types of Architectural Compositions of komainu Guardian Lions of Sengen (Asama) Shrines

Received: 10 September 2026     Accepted: 20 September 2026     Published: 29 September 2026
Views:       Downloads:
Abstract

One of the attributes of Shinto shrines are the komainu guardian lions, which are paired sculptures, sometimes supplemented with additional attributes such as lion cubs and an orb (jewelled). The current diversity of komainu makes it difficult to systematise them. This article examines the komainu of the shrines of Sengen (Asama). It is shown that more than half of them simultaneously belong to the “edo”-kotori and “edo”-tamatori styles, and some of them include elements of the “izumo” and “okazaki” styles, which leads to the conclusion that the existing division into styles is not suitable for the komainu of these shrines. This may be due to the influence of the Fuji (Fujiko) faith, which is indirectly confirmed by the unique komainu located in the territory of Fujizukas. All the komainu studied were divided into three types of compositions, the benchmark being the komainu of shrines important to the Fuji faith. The first type of komainu is present in the Fujisan Hongu Sengen Taisha. The right sculpture is a seated lion with its mouth grinning. Its paw is placed on a lion cub that is biting it. The left sculpture is a sitting lion, without a grin, with its paw resting on a ball. Variations of this type include the position of the lion cub under the paw. In Yamanaka Sengen Jinja the paw is on the back, in Kawaguchi Asama jinja it is on the head, and in Tamagawa Sengen Jinja the lion cub additionally holds a ball. Inversion, where the lion cub is part of the left sculpture of the composition, is quite popular, and is found in shrines in Yamanashi, Shizuoka, Aichi, Kanagawa prefectures and in Tokyo. The second type of komainu is present in Higashiguchi Sengen Jinja. These are essentially komainu mounted on mounds shaped like fujizuka, illustrating the proverb Shishi-no-ko-otoshi. Variants of this type, including two lion cubs, are found at Sezaki sengen Jinja and at Tagoyama Fujizuka. The third type of komainu is present in Kitaguchi Hongu Sengen Jinja and is two komainu, one of which growls. This type is the simplest and most common. The article is supplemented with illustrations of komainu for all types and their variants.

Published in International Journal of Architecture, Arts and Applications (Volume 12, Issue 3)
DOI 10.11648/j.ijaaa.20261203.11
Page(s) 109-116
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2026. Published by Science Publishing Group

Keywords

Komainu, Sengen, Fuji, Shinto

References
[1] Liu, H. (2026) A Study of Extant Song-Style Stone Lions in Japan. Religions, 11(7), 799.
[2] Sulastri, T., Alleynisa, D. (2024) Conversion and Revitalization of Buddhist Otera in Japan: A Religiosity-Historicity Study. International Journal of Religion, 5(6), 63–72.
[3] Jinja: Heart of Japan. Jinja Honcho. 2020. 14 p.
[4] Fujimoto, Y. (2017) The komainu statues of Meiji Jingu Shrine. Japan News. Retrieved 30 August 2026, from
[5] Yoshiaki, K. (2005) Sandō komainu no tanjō to “sumiwake” [The birth and habitat distribution of shrine komainu]. Hito to dōbutsu no kankei gakkai-shi, 16, 16–20 (In Japanese).
[6] Yutaka, R. (2023) On the Popularization of Faith in Mount Fuji-Centring upon Fuji-kō Cult in the Edo Era. Studies in East Asian Culture, 1, 143–162.
[7] Lindström, K. (2019) Universal heritage value, community identities and world heritage: forms, functions, processes and context at a changing Mt Fuji. Landscape Research, 44, 278–291.
[8] Seki, S. (2026) Historical Materials about Yamabushi of the Edo period that exist in Omachi City, Nagano Pref. Bulletin of the Omachi Alpine Museum, 11, 19–39.
[9] Japan’s Highest Shrine: Fujisan Hongū Sengen Taisha, Retrieved 30 August 2026, from
[10] Okubo, A. (2014) Historical analysis of the Fujisan climbers - From worship ascents to recreational climbing. Tokoha University Faculty of Management Bulletin, 1(1), 17–22.
[11] Suzuki, K. (2015) Understanding Recommendations to be Implemented for the Better Management of Mt. Fuji as a World Cultural Heritage. Journal of Geography, 124(6), 995-1014.
[12] Keidai no go annai. (in Japanese), Retrieved 30 August 2026, from
[13] Shiki Tagoyama Fujizuka. Tagoyama Fuji Preservation Society. Booklet. 2 p.
[14] The Complete Guide to Climbing Mt. Fuji! How Even Beginners Can Enjoy Mt. Fuji, Retrieved 30 August 2026, from
[15] Fujizuka (In Japanese), Retrieved 30 August 2026, from
Cite This Article
  • APA Style

    Cantacuzene, V. G. (2026). Types of Architectural Compositions of komainu Guardian Lions of Sengen (Asama) Shrines. International Journal of Architecture, Arts and Applications, 12(3), 109-116. https://doi.org/10.11648/j.ijaaa.20261203.11

    Copy | Download

    ACS Style

    Cantacuzene, V. G. Types of Architectural Compositions of komainu Guardian Lions of Sengen (Asama) Shrines. Int. J. Archit. Arts Appl. 2026, 12(3), 109-116. doi: 10.11648/j.ijaaa.20261203.11

    Copy | Download

    AMA Style

    Cantacuzene VG. Types of Architectural Compositions of komainu Guardian Lions of Sengen (Asama) Shrines. Int J Archit Arts Appl. 2026;12(3):109-116. doi: 10.11648/j.ijaaa.20261203.11

    Copy | Download

  • @article{10.11648/j.ijaaa.20261203.11,
      author = {Vladimir Gorshkov Cantacuzene},
      title = {Types of Architectural Compositions of komainu Guardian Lions of Sengen (Asama) Shrines},
      journal = {International Journal of Architecture, Arts and Applications},
      volume = {12},
      number = {3},
      pages = {109-116},
      doi = {10.11648/j.ijaaa.20261203.11},
      url = {https://doi.org/10.11648/j.ijaaa.20261203.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijaaa.20261203.11},
      abstract = {One of the attributes of Shinto shrines are the komainu guardian lions, which are paired sculptures, sometimes supplemented with additional attributes such as lion cubs and an orb (jewelled). The current diversity of komainu makes it difficult to systematise them. This article examines the komainu of the shrines of Sengen (Asama). It is shown that more than half of them simultaneously belong to the “edo”-kotori and “edo”-tamatori styles, and some of them include elements of the “izumo” and “okazaki” styles, which leads to the conclusion that the existing division into styles is not suitable for the komainu of these shrines. This may be due to the influence of the Fuji (Fujiko) faith, which is indirectly confirmed by the unique komainu located in the territory of Fujizukas. All the komainu studied were divided into three types of compositions, the benchmark being the komainu of shrines important to the Fuji faith. The first type of komainu is present in the Fujisan Hongu Sengen Taisha. The right sculpture is a seated lion with its mouth grinning. Its paw is placed on a lion cub that is biting it. The left sculpture is a sitting lion, without a grin, with its paw resting on a ball. Variations of this type include the position of the lion cub under the paw. In Yamanaka Sengen Jinja the paw is on the back, in Kawaguchi Asama jinja it is on the head, and in Tamagawa Sengen Jinja the lion cub additionally holds a ball. Inversion, where the lion cub is part of the left sculpture of the composition, is quite popular, and is found in shrines in Yamanashi, Shizuoka, Aichi, Kanagawa prefectures and in Tokyo. The second type of komainu is present in Higashiguchi Sengen Jinja. These are essentially komainu mounted on mounds shaped like fujizuka, illustrating the proverb Shishi-no-ko-otoshi. Variants of this type, including two lion cubs, are found at Sezaki sengen Jinja and at Tagoyama Fujizuka. The third type of komainu is present in Kitaguchi Hongu Sengen Jinja and is two komainu, one of which growls. This type is the simplest and most common. The article is supplemented with illustrations of komainu for all types and their variants.},
     year = {2026}
    }
    

    Copy | Download

  • TY  - JOUR
    T1  - Types of Architectural Compositions of komainu Guardian Lions of Sengen (Asama) Shrines
    AU  - Vladimir Gorshkov Cantacuzene
    Y1  - 2026/09/29
    PY  - 2026
    N1  - https://doi.org/10.11648/j.ijaaa.20261203.11
    DO  - 10.11648/j.ijaaa.20261203.11
    T2  - International Journal of Architecture, Arts and Applications
    JF  - International Journal of Architecture, Arts and Applications
    JO  - International Journal of Architecture, Arts and Applications
    SP  - 109
    EP  - 116
    PB  - Science Publishing Group
    SN  - 2472-1131
    UR  - https://doi.org/10.11648/j.ijaaa.20261203.11
    AB  - One of the attributes of Shinto shrines are the komainu guardian lions, which are paired sculptures, sometimes supplemented with additional attributes such as lion cubs and an orb (jewelled). The current diversity of komainu makes it difficult to systematise them. This article examines the komainu of the shrines of Sengen (Asama). It is shown that more than half of them simultaneously belong to the “edo”-kotori and “edo”-tamatori styles, and some of them include elements of the “izumo” and “okazaki” styles, which leads to the conclusion that the existing division into styles is not suitable for the komainu of these shrines. This may be due to the influence of the Fuji (Fujiko) faith, which is indirectly confirmed by the unique komainu located in the territory of Fujizukas. All the komainu studied were divided into three types of compositions, the benchmark being the komainu of shrines important to the Fuji faith. The first type of komainu is present in the Fujisan Hongu Sengen Taisha. The right sculpture is a seated lion with its mouth grinning. Its paw is placed on a lion cub that is biting it. The left sculpture is a sitting lion, without a grin, with its paw resting on a ball. Variations of this type include the position of the lion cub under the paw. In Yamanaka Sengen Jinja the paw is on the back, in Kawaguchi Asama jinja it is on the head, and in Tamagawa Sengen Jinja the lion cub additionally holds a ball. Inversion, where the lion cub is part of the left sculpture of the composition, is quite popular, and is found in shrines in Yamanashi, Shizuoka, Aichi, Kanagawa prefectures and in Tokyo. The second type of komainu is present in Higashiguchi Sengen Jinja. These are essentially komainu mounted on mounds shaped like fujizuka, illustrating the proverb Shishi-no-ko-otoshi. Variants of this type, including two lion cubs, are found at Sezaki sengen Jinja and at Tagoyama Fujizuka. The third type of komainu is present in Kitaguchi Hongu Sengen Jinja and is two komainu, one of which growls. This type is the simplest and most common. The article is supplemented with illustrations of komainu for all types and their variants.
    VL  - 12
    IS  - 3
    ER  - 

    Copy | Download

Author Information
  • Sections